
Rebellion (L’ordre et la morale) review
Sporadically exciting French action drama about a 1988 hostage crisis drags more often than it should.

Sporadically exciting French action drama about a 1988 hostage crisis drags more often than it should.

Harrowing drama of modern-day piracy as a sort of illicit corporate takeover; riveting and exhausting.

A vile propagandistic action flick that shamelessly indulges fears of terrorism while also failing on a basic narrative level.

A provocative, ambitious drama about the unconsidered assumptions that power our cultures, for good or ill.

Alternately intriguing and infuriating: it’s very like the sort of movie exuberantly excessive Gatsby himself might have made.

A rare unromantic look at just how much labor (and risk) goes into a labor of love…

This is not a movie. This is nothing but Adam Sandler hanging out with his pals and congratulating himself on how awesome he finds himself to be.

Neill Blomkamp cements his science-fiction credentials as a filmmaker with a genre vision the likes of which we haven’t seen since the socially conscious SF of the 1970s.

A deliciously ooky, X-Files-esque chiller that’s a scary-fun hoot and a half; a lean, smart example of the found-footage flick.

Oh, it’s horrific, all right: wooden performances and stilted exposition, punctuated by bouts of random bloody sadism.