
The Mortal Instruments: City of Bones review
Way to give overwrought fan fiction a bad name. No amount of fairy dust can make this bewitching.

Way to give overwrought fan fiction a bad name. No amount of fairy dust can make this bewitching.

My ears are bleeding from Malcolm Tucker’s volcano of hilariously creative vulgarity; he is to profanity what Shakespeare is to poetry.

Oddly took some advice not intended for movies: “Be specific but not memorable. Be funny but don’t make ’em laugh.”

Trashy remake of the brilliant French black comedy strips out the satire and slathers what’s left in ridiculous lesbian-erotic-thriller sauce.

This is what happens when your Lord of the Rings cosplay gets overrun by Method stuntmen.

Apparently it’s hard to be a grownup in today’s crazy world without committing consequence-free statutory rape. Ugh.

A confounding intellectual mystery, an enigmatic philosophical science fantasy that’s like a cinematic Moebius strip.

I’m actually angry at how little the movie even tries. There isn’t enough of anything here to pad out a brief sketch, never mind a feature-length film.

One of the more achingly poignant stories of awkward (male) adolescence I’ve seen. Sam Rockwell steals this movie more than he has ever stolen a movie before.

A bleak, bitter, wicked pleasure that holds up the underpinnings of modern America — self-help, Jesus, and violence — for ridicule.