
#Like movie review: teen feminist rage, muted
Sarah Pirozek weaves an elegant, noirish tragedy on a micro budget, but it’s far more effective as a portrait of the miserable discomposure of modern teen life than as a feminist vigilante thriller.

Sarah Pirozek weaves an elegant, noirish tragedy on a micro budget, but it’s far more effective as a portrait of the miserable discomposure of modern teen life than as a feminist vigilante thriller.

Nonsensical Danish thriller concocts absurd connections between the nature of evil and *checks notes* office politics among shallow clichés of women. Preposterously, this is not meant to be satire.

Beautiful in its style, enraging in its substance, this skewering of the FBI’s surveillance of the civil-rights icon is essential for understanding the near-term roots of white supremacy in America.

The retro pastel optimism is ironic, but the dark stuff slips by in subtext. This bold, colorful tale, recalling classic superhero films, could be happening in a parallel universe… a much nicer one.

A same-old tale of apocalypse knows we’ve seen this all before, and so centers human drama over disaster porn. It has nothing new to say, but at least it says it well, with notes of horrific grace.

An appalling melange of insipid disaster drama and implausible romance with a bit of dystopian satire thrown in. This is a crass cash-in meant to prey on our pandemic anxieties, not grapple with them.

Achieves that rare cinematic feat of being specific and universal at the same time. A lovely film, plaintive and poignant, with exquisite performances from a beguiling cast, and ultimately hopeful.

Finds something fresh and gently feminist in the tropes and claptrap of an overbaked genre. Stewart and Davis have terrific chemistry, and the supporting cast of modern legends of funny is to die for.

A triumph. McQueen brings history to life and makes it sing with zest and passion, with a spirit that endures beyond the strife. A celebration of Black joy alongside a raging against Black oppression.

Brings a fundamental new humanity to the story of those who court great danger in order to advance human knowledge. Eva Green is immense. Writer-director Alice Winocour’s compassion is achingly acute.