Out of Blue movie review: murder most muted
A limp noodle of a cinematic noir that drains Patricia Clarkson of her usual eccentric charisma. And where it aims for intriguingly oblique pseudoscientific philosophizing, it ends up merely obtuse.
reviews by genre
The Crossing (Guo Chun Tian) movie review: smuggler’s blahs
This uninvolving coming-of-age crime drama tries to dazzle with visual tricksiness, but it cannot make up for its teen protagonist who is mere metaphorical symbol, and a bystander in her own story.
Us movie review: a new kind of horror for a newly precarious world
An anxious moan, a looming disquiet of a reckoning coming for America. This is horror as weird, funny, damning, and more disconcerting the more you think about it, finding fear right in front of us.
The Fight movie review: a woman’s struggle is real…
Actor Jessica Hynes makes an astonishing directorial debut with this disconcerting little movie about women’s everyday anger and resentment, and the absolute battle just to get through the day.
Five Feet Apart movie review: love/sick teen romance
Beautiful teens fall in love while dying prettily in this year’s tragic young romance, one that medical necessity renders refreshingly chaste. Best bit: Star Haley Lu Richardson is genuinely charming.
Children of the Snow Land documentary review: an epic journey… to and from school
An unexpected, beautiful movie about the character and mettle it takes just to go to school when you come from one of the poorest and most remote places on the planet. A profoundly moving journey.
Captain Marvel movie review: superpowered female SJW invites manbaby nerds to suck it
An indie ethos comes to the comic-book movie, upending the origin story and offering a female superhero who throws out the boys’ rule book, goes her own way, and stalks among us with easy confidence.
Doctor Who: “Logopolis” Fathom Event review: it’s the end, but the moment has been prepared for
An iconic story from the classic era of the British cult TV favorite comes to US big screens for one night only… and the cleaned-up FX as well as its deceptively simple tale hold up rather well.
Everybody Knows (Todos lo saben) movie review: weak wedding whodunnit
Asghar Farhadi attempts to meld melodramatic mystery with his usual humanistic drama, but leaves little space for either impulse to be satisfied. Disappointing and strangely anticlimactic.
The Aftermath movie review: don’t mention the war…
Post WWII upheaval is a cheap backdrop to beautiful people getting it on. Characters and situations are undeveloped, and there’s little genuine romance here, and too much laughable preposterousness.
