A Matter of Life and Death (aka Stairway to Heaven) (4K restoration) movie review: paradise on Earth
One of the most beloved British films ever is now even more lush, more gorgeous, more humanist in a glorious new restored edition.
romance
Love Is Thicker Than Water movie review: so, love is a sludge, then?
This would-be modern Romeo-and-Juliet tale is little more than a pile-on of class stereotypes, contrived dialogue, and one whopper of a coincidence.
Marie Curie: The Courage of Knowledge movie review: so hot she’s radioactive
With more sexy baths than any movie about a male scientist has ever seen, this biopic undermines the battle Curie fought to be taken seriously that is depicted here.
Professor Marston & the Wonder Women movie review: secret identities (LFF 2017)
A sweet, romantic story about the polyamorous triad that created a beloved superhero… and about the power of comic books to speak to our inner lives.
Breathe movie review: paralyzed but determined to be mobile (LFF 2017)
A romance and a real-life adventure, full of life-and-death peril and unexpected cheerful good humor, about a pioneer in disability rights and dignity.
#Raindance2017: In Another Life, Hello Again, Maya Dardel
Quick takes from the 25th Raindance Film Festival, with public screenings in London through October 1st, 2017.
God’s Own Country movie review: the cultivation of love
A wonderful portrait of life in a harsh, lonely place, and of romance as a prompt for personal growth and changing traditions. Raises the bar for British indies.
Landline movie review: love in the time before smartphones
A charming delight in a retro timeslip. Gillian Robespierre and Jenny Slate continue their rampage of creating wonderfully, memorably flawed women onscreen.
The Big Sick movie review: girlfriend in a coma, the rom-com
A rom-com for people who hate rom-coms. A painfully funny movie, full of enrapturing emotion that captures the glorious contradictions of all kinds of love.
Baby Driver movie review: common car-nage
Edgar Wright used to send up cinematic clichés with gusto and with huge humor. Here he just embraces them — and his sullen, unengaging hero — unironically.
