
The Cut movie review: head not in the game
A real aspect of boxing — dangerously fast weight loss — sports films have ignored becomes body horror we have not seen before. The genre’s motivational clichés get twisted, nastily and poignantly.

A real aspect of boxing — dangerously fast weight loss — sports films have ignored becomes body horror we have not seen before. The genre’s motivational clichés get twisted, nastily and poignantly.

Poignant, pointed drama about a teenage Ukrainian gymnast fuses the personal and the political in a portrait of the spirit of Ukraine that is now being tested in the worst way. Incredibly affecting.

My pick: “Learning to Skateboard in a Warzone (If You’re a Girl),” a tremendous ode to the power of sports to boost girls’ self-esteem and set them free from the shackles of the limited expectations.

My pick: The gorgeous “Brotherhood” opens up reductive notions of Middle Eastern cultures in the Western imagination while telling a moving story of family and forgiveness that is quite universal.

A winning (if overearnest) depiction of manly friendship, with some pretty thrilling (if only technically so) racing stuff. But it doesn’t see its potential to be actually culturally significant.

There are nowhere near enough movies about thrill-seeking women, so this documentary profiling the pro surfer is very welcome. But there’s no need for such a heavy hand on the “inspirational.”

There’s plenty injustice here to enrage the thinking, feeling citizen, but despite a passionate performance by charismatic Aldis Hodge, this docudrama is nowhere near incensed enough on his behalf.

Actor Jessica Hynes makes an astonishing directorial debut with this disconcerting little movie about women’s everyday anger and resentment, and the absolute battle just to get through the day.

Genuinely heartwarming, totally cheerworthy, bursting with warm and generous performances, and just a whole damn lotta fun. (And I hate professional wrestling.) Florence Pugh absolutely rocks it.

Can’t quite manage to continue the first film’s smart, unsentimental examination of male emotion and men’s relationships. At best achieves a draw with a genre path that is already extremely well worn.