
Alvin and the Chipmunks: The Road Chip movie review: born to be mild
Instantly forgettable but inoffensive fluff… you know, for kids. And “inoffensive” is better than can be said for many movies aimed at children.

Instantly forgettable but inoffensive fluff… you know, for kids. And “inoffensive” is better than can be said for many movies aimed at children.

U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…

Amenábar aims for a noirish X-Files vibe, but preposterousness rules this inert trudge that does absolutely no justice to a terrible real-life phenomenon.

“A Girl in the River” masterfully portrays a culture that justifies killing women, its rage subsumed by a dispiriting account of how its customs are perpetuated.

“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.

Lazy and trite, with a passive protagonist. It’s as if no one here understands the appeal of the postapocalyptic YA genre it is attempting to piggyback on.

The stakes feel lower than they should, but as a portrait of youngsters in a tough familial and social position, this is compassionate and engaging.

The beautiful performances and raw intimacy are definitely worth your time, but its wispy good intentions ultimately dissipate into thin air.

Shamefully banal; such a confused mess that I cannot even figure out what the title is supposed to mean. A slap in the face to Pixar fans after Inside Out.

One of the smartest and most enthralling SF film series ever breaks more new ground as it ends on notes as emotional and provocative as they are explosive.