Son of Saul movie review: how to remain human
Did you think you had heard all the unbearable stories about the Holocaust? You hadn’t. Hard to watch, but an essential installment of Holocaust cinema.
war/antiwar
Rock the Kasbah movie review: whitemansplaining, the movie
Behold Bill Murray as the white savior barreling into a foreign land and teaching the ignorant natives how to be better people. Obnoxious and tone deaf.
Pride and Prejudice and Zombies movie review: ironically, it has no brains
A Mr. Collins of a movie: fatuous, self-important, and nowhere near as smart or as elegant as it thinks it is. There isn’t a lick of wit to be found here.
Cartel Land documentary review: the war on drugs can have no winners
A real-life action thriller, a terrifying companion piece to Sicario. Do we want the wild West in the 21st century? Because that’s what we’ve got.
Bad Hurt movie review: family tied
Exhaustion of mind and body is the primary sentiment in this sensitively observed family drama, drawn with an intimacy that is palpable and uncompromising.
Oscar Nominated Documentary Shorts (88th Academy Awards) review
“A Girl in the River” masterfully portrays a culture that justifies killing women, its rage subsumed by a dispiriting account of how its customs are perpetuated.
Oscar Nominated Animated Shorts (88th Academy Awards) review
The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.
Oscar Nominated Live-Action Shorts (88th Academy Awards) review
“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.
13 Hours: The Secret Soldiers of Benghazi movie review: American mercenary
Michael Bay propagandizes for a right-wing idea of “true America,” seething with disdain for anyone who isn’t a former elite soldier turned mercenary.
Camp X-Ray movie review: all of us behind bars
Superbly unsettling. Pointedly highlights how incarceration dehumanizes inmate and guard alike. Kristen Stewart’s steeliness is perfectly suited to its ironies.
