Scrapper movie review: girlhood interrupted
A singular portrait of a girl full of verve and personality. An astonishing feature debut from Charlotte Regan, with a film as cheeky and imaginative, as pleasantly messy and chaotic, as its heroine.
written by women
Paris Memories (Revoir Paris) movie review: healing after horror
A deeply humane, delicately constructed journey through trauma and recovery that cuts like a knife and soothes like a hug, somehow, miraculously, managing both bundles of feeling at the same time.
What’s Love Got to Do with It? movie review: the boy next door, and a world away
Lily James and Shazad Latif? Delightful, even when they’re not together and sparking. No surprise where they’re going, but this amiable rom-com gets them there with genuine smarts and real sentiment.
Rare Objects movie review: broken things, on the mend
It’s overstuffed and often jarring. But it’s also honest and unassuming, never insipid or sentimental, with a rough power, a generous spirit, and performances that are warm, wise, and perceptive.
Blue Jean movie review: cowardice and bravery as matters of survival
A powerful, necessary film, deeply humane and sympathetic, ugly-beautiful in its panic, full of dread and bad behavior. We feel every iota of Jean’s anxiety at closeted life in the homophobic 1980s.
Avatar: The Way of Water movie review: blueface on a blue planet
The filmmaking craft may be (mostly) astonishing. But the craft must always — always — be in aid of a compelling story populated by compelling characters… and that’s not so much the case here.
Beast (2022) movie review: he fights the lion
Idris Elba fights a lion. This is what we are promised and this is what we get. The purity is sort of beautiful. But is it a failure of the movie, or a success, that it treats such nonsense earnestly?
Eiffel movie review: Gustave’s erection
Comfortably unchallenging French romantic drama, though it does Freudian-slip into implying that the engineer was only inspired to erect his soaring tower when an old flame reawakened his, er, heart.
Mrs Harris Goes to Paris movie review: a fashion for kindness
This 60-year-old story of pursuing a dream with resolute kindness could not feel more fresh in its knowing class clash. Lesley Manville is an absolute treasure, her command of comedic pathos supreme.
Good Luck to You, Leo Grande movie review: come as you are
Full of honesty and humanity, utterly lacking in shame over a basic human need, the female experience of which is almost universally ignored onscreen. Light, funny, diverting. So why was I bawling?
