
Good Boys movie review: the razor edge of innocence
Much more sweet than raunchy, and surprisingly innocent. Genuinely kind to its young protagonists as they try to navigate a culture that doesn’t much care to protect them from growing up too soon.

Much more sweet than raunchy, and surprisingly innocent. Genuinely kind to its young protagonists as they try to navigate a culture that doesn’t much care to protect them from growing up too soon.

Seriously adorkable teen is saved, in 1987, by the rock poetry of Bruce Springsteen. The Boss is still relevant today, as is, alas, the harsh political and economic setting of Thatcher’s Britain.

Raiders of the Lost Ark lite for kids, but juvenile humor and a derivative plot limit its appeal for adults. Teen Dora is really cool, though, and a great role model for girls and boys alike.

A stew of “hilarious” toxic masculinity and nonstop violence as the solution to all problems. Sexist, stupid nonsense, tediously familiar and wholly predictable. Even the cartoonish action falls flat.

Meet the “nerdy engineer” who dreamed of a life in aviation… and landed a tin can on the Moon. A deeply moving portrait of the modest man who seems to have been destined for his historic voyage.

The legendary literary lesbian romance, starring the incendiary duo of Gemma Arterton and Elizabeth Debicki, is criminally blah, lacking all sexual and intellectual passion. How does this happen?

It’s hard to escape the sense that Ari Aster is getting off on Florence Pugh sobbing and screaming as he fetishizes her terror and torment. And none of it is in the pursuit of any meaning or message.

The riveting tale of misogyny-busting sailor Tracy Edwards is as beautifully modulated as fiction, full of twists and turns and delicious ironies, and even sports a perfect ending. Yet it’s all true.

This astonishing assemblage of vintage footage, some never before seen, may be unspoilable (we know how it ends) but it’s still hugely suspenseful, and beautifully immersive visually and emotionally.

Regina Hall is glorious in this sharp yet generous portrait of women’s relationships, one smart and witty about how women navigate everyday sexism. Genuinely surprising that it’s by a male filmmaker.