
Faces Places (Visages, Villages) documentary review: art to the people
Film legend Agnès Varda and photomuralist JR take us on a road-trip art project that is joyful, funny, and invites us to see the world through truly open eyes.

Film legend Agnès Varda and photomuralist JR take us on a road-trip art project that is joyful, funny, and invites us to see the world through truly open eyes.

Breezy, jokey, crammed with clever sci-fi ideas; the funniest MCU flick yet. Director Taika Waititi brings a new geeky verve we didn’t realize the series needed.

Quick takes from the now-wrapped 61st London Film Festival.

Audacious, outrageous, bleakly funny. Not since Charlie Chaplin sent up Hitler and invited us to laugh at terrible reality has there been a movie like this.

Almost hilariously terrible: absurd plot machinations, dubious politics, not a single character to care about. And it doesn’t even give good disaster porn.

A clichéd loose-cannon cop is on a case of murdered women in faux Norway. And it’s not even a decent procedural. Sexist, pointless, thoroughly awful.

A sweet, romantic story about the polyamorous triad that created a beloved superhero… and about the power of comic books to speak to our inner lives.

A horror movie for grownups, dripping with the dread of a fairy tale of yore, primitive and atavistic, drawing on profound human pain and fear.

A romance and a real-life adventure, full of life-and-death peril and unexpected cheerful good humor, about a pioneer in disability rights and dignity.

Visually, this dying future world is immersively hellish. Intellectually, though, its ideas haven’t kept up with the rapidly evolving science-fictional conversation.