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Leonardo DiCaprio’s abashed personal journey to learn about global warming, overcome his pessimism, and find hope that there’s still time to make a difference.
The filmmaker presents a standup-comedy case for Hillary Clinton for president, not as a fan of Clinton but as a patriot worried about the state of America.
A British filmmaker documents the arrogance and disdain with which Donald Trump wields the power of his money… a warning for Americans come Election Day.
A slow-burn battle between a woman and the developers trying to drive her from her home is a melancholy meditation on aging, memory, and family.
Cute and sweet and will put you to sleep, like a diabetic coma, and then it will smack you awake with its relentlessly cheery vivid-pastel optimism.
Busy with CGI to hide the emptiness where the emotional core should be. Even the mechanics of getting a man from mere mortal to demigod-in-a-cape are rote.
May be unique in the cinematic annals of manchildren in that its protagonist goes from overgrown adolescent to midlife crisis without any intervening adulthood.
Dead and absent women cause a man to have feels, but in an ethereal way, you know, with “artistic” female nudity and nonsensical pseudophilosophical dialogue.
Lefty, loud, proud (and heartbreaking and infuriating with it). Rages against systems once meant to help people that have become machines intended to crush them.
Take True Lies and Mr. & Mrs. Smith. Remove wit, sexy charm, and satire on marriage. This is a recipe for a movie anyone wants to see?
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