
Bullet Train movie review: total derailment
The cast is, on paper, terrific, but there’s nothing engaging in their bloody savagery. A misfire of a supposed action comedy, this mind-numbing mess is by turns grating, tedious, and infuriating.

The cast is, on paper, terrific, but there’s nothing engaging in their bloody savagery. A misfire of a supposed action comedy, this mind-numbing mess is by turns grating, tedious, and infuriating.

This 60-year-old story of pursuing a dream with resolute kindness could not feel more fresh in its knowing class clash. Lesley Manville is an absolute treasure, her command of comedic pathos supreme.

Full of honesty and humanity, utterly lacking in shame over a basic human need, the female experience of which is almost universally ignored onscreen. Light, funny, diverting. So why was I bawling?

A book is born; its author dies. Her husband takes up her work in a process of gentle, active mourning. Honest and hopeful, this journey through grief is beautifully structured for maximum poignance.

The wacky-yet-heartfelt comedy just about works; the gibberish dialogue, not so much. But this could be the makings of a crowdsourced cult fave, if playful viewers end up creating their own subtitles.

A “critique” of misogyny that is outright misogynist, even before it goes down a gorefest rabbit hole of infuriating contempt for women. What the hell is going on with this would-be-mythic mishmash?

One of the most beautiful movies I’ve ever seen. It is impossibly small, and emotionally immense, full of the most bittersweet of pathos that the coming-of-age genre offers. A treasure, and a gift.

With its melancholy regret and bittersweet nostalgia, this is far superior to the 1986 blockbuster. But as the sun goes down on American imperialism here, the last-gasp celebration of it unsettles.

Cold War propaganda that is weirdly apolitical. Sunny, breezy homoeroticism that is surely unintentional. What a hoot this is! Mostly not in a good way, but its impact on pop culture cannot be denied.

Dismantles myths about motherhood and misconceptions about child-free women with brisk, cheeky humor and intersectionality, and begins to build the cultural scripts we need for paths without kids.