
The Invitation movie review: do not turn this one down
A chillingly crafted portrait of quiet menacing uncertainty. Balefully replicates the precariousness of not being able to trust one’s own instincts.

A chillingly crafted portrait of quiet menacing uncertainty. Balefully replicates the precariousness of not being able to trust one’s own instincts.

Strikingly original, a truly rare pleasure in a cinematic environment clogged with cookie-cutter films. Jason Bateman and Nicole Kidman are splendid.

Pro tip, ladies: A pregnancy test that comes up positive might just mean you are incubating some exotic fish-bug nasties. Ask your doctor!

Teenaged girls behaving badly, depicted with a positive vibe. Progress? Turns out grossout movies don’t work even when they’re kind of feminist.

When FFJ sticks to farce, it works wonderfully, like something P.G. Wodehouse might have loved. But the longer it goes on, the more maudlin it gets.

It’s the end of the world. Finally, a legitimate reason for a man to experience emotion. We’ve seen this all before… except not quite so ridiculous.

Invoking fascinating conspiracy theories surrounding Nikola Tesla only to turn them into a macguffin, this neonoir detective flick ultimately disappoints.

Yet another installment in the long-running series Dead Women Make Men Feel Things. Seething with unspoken emotions, all of which are elusive and abstruse.

Tough, unanswerable human questions frame spectacular, innovative action sequences that are like superhero ballets. This series just keeps getting better.

Could have been assembled entirely from clips from other movies — mostly the Star Wars prequels — and would have been better if it had been.