The Hills Have Eyes (review)

A deep-down disturbing and surprisingly poignant riff on abandonment, inhuman isolation, and creepy desolation.

Sorry, Haters (review)

It’s got an edgy, itchy, slightly out-of-skew vibe that perfectly captures the sensation of being off-balance that all New Yorkers have been stumbling through life with since 9/11.

16 Blocks (review)

Harrison Ford should take some lessons from Bruce Wills: this is how you do “action” after, um, a certain age…

Ultraviolet (review)

Can we puh-leeze keep young filmmakers away from ‘The Matrix’?