3:10 to Yuma (review)
This is inventive and exciting, a grip-the-armrests, hold-your-breath reinvigorating of the Western movie…
This is inventive and exciting, a grip-the-armrests, hold-your-breath reinvigorating of the Western movie…
A gloriously deranged orgy of Bugs Bunny-style action and nonstop gunplay.
Kevin Bacon’s got one of each — scythe and machete — in his garage in *Death Sentence.* He’s a white-shirt-wearing, window-office-occupying corporate cog at an insurance company. Surely the biggest danger he is in would be from, you know, paper cuts on the risk-analysis reports he handles on a daily basis. Right? How did he know to have such deadly tools at the ready?
Funnily enough, though — and it’s the only thing funny about this dreadful excuse for a comedy — the movie itself has tiny balls. It’s got no nerve, no guts, no daring… no balls.
*War* denies us the simple, brainless pleasure of watching these two guys get Oriental on each other’s asses. It’s like someone made *Gamera vs. Mothra* and, oops, forgot to give us two guys in rubber suits battling to the death.
Can you say “overwrought,” boys and girls? I knew you could.
It’s not exactly the stuff that feel-good movies are made of — it’s the stuff that hey-chew-on-*this* movies are made of.

This is one of the funniest movies I’ve ever seen, and that’s not something I say lightly. It’s practically Shakespearean in its exquisite foolishness and comedic intrigue.
Out of the depths of the cheesy cinematic realms of the 1960s comes the, ahem, “real” backstory of King Arthur and his legendary sword, Excalibur.
This is why Hollywood mostly sucks: Corporate movies are getting made from scripts written by 13-year-olds who went on to drop out of high school.