Autumn Lights movie review: women make men feel things
Dead and absent women cause a man to have feels, but in an ethereal way, you know, with “artistic” female nudity and nonsensical pseudophilosophical dialogue.
reviews by year
I, Daniel Blake movie review: this is our shame
Lefty, loud, proud (and heartbreaking and infuriating with it). Rages against systems once meant to help people that have become machines intended to crush them.
Keeping Up with the Joneses movie review: no, let them go
Take True Lies and Mr. & Mrs. Smith. Remove wit, sexy charm, and satire on marriage. This is a recipe for a movie anyone wants to see?
Jack Reacher: Never Go Back movie review: don’t go back for the sequel
Jack Reacher is back. And no one seems to know why. Low stakes, a rote plot, and undistinguished action add up to a pointless and unnecessary sequel.
Inferno movie review: let’s run through the museum!
Completely absurd, ultimately pointless, but also gloriously goofy: a Nancy Drew mystery with Scooby-Doo overtones and a thin veneer of bookishness.
Blood Father movie review: a take-your-daughter-to-work adventure
Sly observations on American hypocrisy, a fresh father-daughter dynamic, and terrific performances elevate this a cut above the typical revenge thriller.
The Girl on the Train movie review: in praise of flawed women
An imperfect adaptation of an uncinematic novel is nevertheless a challenging portrait of a woman as deeply screwed up as usually only men get to be onscreen.
The Great Gilly Hopkins movie review: a girl’s anger
A tough, simple story about a foster kid whose path to finding a family and a home is not an easy one. There are no platitudes here, just bittersweet truth.
Antibirth movie review: bad baby bad
Dementedly creepy punk body-horror grossout comedy plays like a padded-out short. But Natasha Lyonne and Chloë Sevigny have a ball as cheerful wastrels.
#LFF2016: Spaceship, Divines, Lupe Under the Sun
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.
