
Where Are the Women? Containment (aka Infected)
This is how you do it: You don’t relegate women to mere sidekicks to men, and you give the women things to do that actually drive the plot. Easy peasy.

This is how you do it: You don’t relegate women to mere sidekicks to men, and you give the women things to do that actually drive the plot. Easy peasy.

Woman: she can be a wife and mother, or she can be a sexy genius scientist who enjoys strutting about the lab showing a lot of skin.

Only three women appear in this movie… and two of them are the wife and daughter of the male founder of Greenpeace, and mostly speak about him.

The women in this story spend their time worrying and picking up the pieces while men are off discovering themselves and getting into trouble along the way.

Tired tropes take on extra unpleasant dimensions here with the only significant female character viewing emotional and physical abuse through a dreamy lens.

This is the sort of movie in which, when someone yells, “They’re going after the girl!” they refers only to boys and there’s no question who “the girl” is.

The two adult women here are defined solely as mothers, but at least there is a teenaged female coprotagonist who is not defined by her gender.

The female protagonist is a mother, a girlfriend, and an ex-wife, but her life is not defined by her relationships to men and children.

Women here are mothers, “hot” girls, or are dying of a cancer that isn’t even her own story: it serves only as a life lesson for the male protagonist.

An unambitious slacker stoner dude who gets unquestioning support to a saintly degree from a perfect girlfriend? Check. *yawn*