
The Brutalist movie review: red, white, and brutal
Stark and unsentimental, as stubborn and as challenging as its protagonist, and as monumental as his works. Adrien Brody’s performance is extraordinary, full of flinty anger and palpable melancholy.

Stark and unsentimental, as stubborn and as challenging as its protagonist, and as monumental as his works. Adrien Brody’s performance is extraordinary, full of flinty anger and palpable melancholy.

Oh, frabjous film! Bradley Cooper’s astonishing high-wire act feels classic and modern at the same time: immersive and impressionistic, breathtakingly bold. A kick in the pants to mainstream cinema.

With human paradoxes at its nucleus, this is a riveting portrait, both intimate and epic, of the self-involved men who think they make the world go round… and too often, tragically, do.

Plus a snarky heist, a two-century-old energy crisis, and more. (First published August 27th, 2022, on Substack and Patreon.)

This 60-year-old story of pursuing a dream with resolute kindness could not feel more fresh in its knowing class clash. Lesley Manville is an absolute treasure, her command of comedic pathos supreme.

An intriguing story with engaging performances about a compelling real-life character, but oddly inert, and can’t quite make all its many aspects gel into a wholly satisfying or wholly coherent story.

Striking sci-fi mood piece, all eeriness and ookiness, wonder and dread. Explicitly Twilight Zone–esque, summoning a midcentury-America innocence in order to shatter its narrowness (and our own).

Nascent celebrity culture and the myth of the artist’s muse are skewered by the tale of Johnny Cash’s first wife, Vivian Liberto, told by her daughters and a trove of vintage photos and love letters.

Francesca Hayward costars in Cats; more… [This post is for Patreon patrons only for the first month.]

Annabel Jankel directs Tell It to the Bees, starring Holliday Grainger and Anna Paquin; more… [This post is for Patreon patrons only for the first month.]