film criticism by maryann johanson | celebrating 25 years: 1997–2022
This 60-year-old story of pursuing a dream with resolute kindness could not feel more fresh in its knowing class clash. Lesley Manville is an absolute treasure, her command of comedic pathos supreme.
An intriguing story with engaging performances about a compelling real-life character, but oddly inert, and can’t quite make all its many aspects gel into a wholly satisfying or wholly coherent story.
Striking sci-fi mood piece, all eeriness and ookiness, wonder and dread. Explicitly Twilight Zone–esque, summoning a midcentury-America innocence in order to shatter its narrowness (and our own).
Nascent celebrity culture and the myth of the artist’s muse are skewered by the tale of Johnny Cash’s first wife, Vivian Liberto, told by her daughters and a trove of vintage photos and love letters.
Francesca Hayward costars in Cats; more… [This post is for Patreon patrons only for the first month.]
Annabel Jankel directs Tell It to the Bees, starring Holliday Grainger and Anna Paquin; more… [This post is for Patreon patrons only for the first month.]
Meet the “nerdy engineer” who dreamed of a life in aviation… and landed a tin can on the Moon. A deeply moving portrait of the modest man who seems to have been destined for his historic voyage.
Joyful and rowdy, self-deprecating and vulnerable, absolutely electrifying as it deconstructs the sex-drugs-and-rock’n’-roll story. Taron Egerton is chills-inducingly good. Sheer cinematic magic.
Sex therapist Ruth Westheimer is featured in documentary Ask Dr. Ruth; more… [This post is for Patreon patrons only for the first month.]
Coasts on the awesomeness of Ruth Bader Ginsburg in a way unadventurous if solidly crowd-pleasing. But the depiction of her incredibly supportive marriage to a feminist man is intensely satisfying.
