daily stream: say hello to his boomstick
1993’s Army of Darkness is on Prime and Apple TV on both sides of the Atlantic.
Army of Darkness
Warcraft: The Beginning (aka Warcraft) movie review: guest review by a white male teenage nerd from 1987
Like all Frazetta fantasy posters came to life all at once. A masterpiece of cinema that truly speaks to the interests of white male teenage nerds from 1987.
Oz the Great and Powerful (review)
Exactly what you expect it to be. Unless you were expecting some Sam Raimi nutso. (new DVD/VOD US/Can)
October 2: DVD alternatives to this weekend’s multiplex offerings
We know how it is: You’d like to go to the movies this weekend, but all those zombies roaming the land aren’t gonna kill themselves. But you can have a multiplex-like experience at home with a collection of the right DVDs. And when someone asks you on Monday, “Hey, did you see Zombieland this weekend?” … more…
Evil Dead II, Army of Darkness, Young Frankenstein, Little Shop of Horrors, and Beetlejuice (review)
Why do slasher movies make us laugh in the instant after we jump and scream? When comedy works, it’s for the same reason that horror does: It surprises us, and laughter and screams emanate from that same primitive lizard part of our brains, one that reacts before we can think.
Death to Smoochy and Panic Room (review)
A movie is never more of a crushing disappointment than when you’ve gotten your hopes up, when against your better judgment you’ve bought into the hype and the advertising and the how-can-it-miss high concept. Imagine how sad the entire geek community is going to be if Sam Raimi’s Spider-Man sucks. (But it can’t suck, right? Right? I mean, it’s Sam Raimi. It’s Spider-Man. Please, whatever movie gods there are, don’t make it suck. Don’t do that to us.)
Halloween (1978) (review)
Please don’t write into tell me how sophisticated Halloween actually is, because that’s a symptom of my third point, which is that I suspect the Halloween movies are like the Star Wars movies, in that the most fun thing about them isn’t what’s actually onscreen but the fannish discussions that happen offscreen about the interrelations between characters and the interconnections between events that loop through the entire series of films.
