
Lucky Grandma movie review: brittle old lady
Wild sass, gentle comedy, shivs of poignancy, and instantly vivid characters add up to a wonderful riff on mob movies as a Chinatown granny faces off against gangsters. Tsai Chin is an absolute hoot.

Wild sass, gentle comedy, shivs of poignancy, and instantly vivid characters add up to a wonderful riff on mob movies as a Chinatown granny faces off against gangsters. Tsai Chin is an absolute hoot.

A quietly brutal film that shows the dark underbelly of an industry — of a world — dominated by often predatory straight white men. Could be an eye-opener on a larger scale… if only we listen.

Coming-of-age melodrama about misfit girls is at first passingly diverting, but it whips up mystery and suspense where it shouldn’t be, diminishing and minimizing an already neglected kind of story.

Wonder and mystery dwells in the work of forgotten abstract pioneer Hilma af Klint. Sarcasm and side-eye for the male- and money-dominated fine-art establishment dwells in this superb doc about her.

Messy, furious, sometimes at odds with itself, this tale of documenting a powerful man’s sexual intimidation of a vulnerable woman is absolutely necessary, full of a rage that is absolutely vital.

Quietly savage, weirdly funny, this feminist take on crime noir is ferocious in a way that only slowly reveals itself. Conflict and compassion wax and wane in a mystery that isn’t quite what it seems.

Based-on-fact drama puts the focus where it rarely is onscreen: on women who are victims of male violence. Yet a terrific central performance and an abundance of empathy cannot overcome its clichés.

Nascent celebrity culture and the myth of the artist’s muse are skewered by the tale of Johnny Cash’s first wife, Vivian Liberto, told by her daughters and a trove of vintage photos and love letters.

Half a century ago, this would have been radical. Today, it’s banal. The slick postwar aesthetic is emblematic of a male filmmaker’s understanding of women that exists only through dated stereotypes.

Charming culture-clash rom-com is full of life, celebrating human universals of family and love, and embracing differences that make the world so interesting. Smart and spritely, feminist and funny.