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A portrait of a weak man, humorless and friendless, desperate to be liked, desperate to be seen as someone who matters. Sebastian Stan’s brilliantly disgusting Trump is horrifically riveting.
Poignant, pointed drama about a teenage Ukrainian gymnast fuses the personal and the political in a portrait of the spirit of Ukraine that is now being tested in the worst way. Incredibly affecting.
Alice Rohrwacher writes and directs Italian drama Happy as Lazarro; and not much else… [This post is for Patreon patrons only for the first month.]
Our most honored films are Roma (five awards), The Favourite (four awards), and Can You Ever Forgive Me? (three awards).
Laetitia Dosch burns with a passionate anxiety in French writer-director Léonor Serraille’s debut, a clever, wise, wildly unsentimental portrait of a woman learning how to be herself.
Tender and contemplative, but as it meanders to its not-quite conclusion, it misses a ripe opportunity to give a stronger voice to a character the likes of which isn’t often heard.
Ava DuVernay’s adaptation of the classic novel A Wrinkle in Time, starring Storm Reid, is the big news…
A marvelous film, so full of the wonder of movies, so melancholy about the changing cinema landscape, so hopeful that though the technology is changing, the love will endure.
Quick takes from the now-wrapped 61st London Film Festival.
If Jane Austen wrote a horror movie. An almost serene sinisterness infuses female-gazey carnal intrigue… but it could be even more feminist than it is.
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