
Clash (Eshtebak) movie review: the view from inside social upheaval
Challenging and provocative, but the limitations it places on itself restrict the appreciation for anyone not already steeped in its culture and politics.

Challenging and provocative, but the limitations it places on itself restrict the appreciation for anyone not already steeped in its culture and politics.

Strange and melancholy, this genre-defying portrait of grief and loneliness puts Kristen Stewart’s onscreen persona of restive reluctance to very effective use.

Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

A significant new retrospective of the legendary and hugely influential Russian filmmaker is a fresh opportunity to see some gorgeous films on a big screen.

Exists on the spectrum between “fascinating and unclassifiably odd” and “could almost be a parody of an arthouse film except it’s too moving to be a joke.”

Prophecy and politics are intertwined in a realm where strange and beautiful imagery takes on dark meaning, and violence and male posturing rules all.

LFF is a veritable orgy of cinema, and I love it. It’s exhausting, but I love it.

There’s nothing particularly surprising here. Not even the rather tediously obvious 15-minute all-nude lesbian fuckfest.

I’ve never seen any of these before. Incredible.