
Personal Shopper movie review: shadows of sorrow
Strange and melancholy, this genre-defying portrait of grief and loneliness puts Kristen Stewart’s onscreen persona of restive reluctance to very effective use.
handcrafted film criticism by maryann johanson | since 1997
Strange and melancholy, this genre-defying portrait of grief and loneliness puts Kristen Stewart’s onscreen persona of restive reluctance to very effective use.
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.
A significant new retrospective of the legendary and hugely influential Russian filmmaker is a fresh opportunity to see some gorgeous films on a big screen.
[This post is not behind the paywall.]
[This post is not behind the paywall.]
Exists on the spectrum between “fascinating and unclassifiably odd” and “could almost be a parody of an arthouse film except it’s too moving to be a joke.”
Prophecy and politics are intertwined in a realm where strange and beautiful imagery takes on dark meaning, and violence and male posturing rules all.
LFF is a veritable orgy of cinema, and I love it. It’s exhausting, but I love it.
Masaharu Fukuyama is in the wonderful Like Father, Like Son, and every time he appeared onscreen, I found myself catching my breath, he’s that gorgeous.