Speed Racer (review)

Only by the end — when it suddenly turns ‘intense’ and ‘dramatic’ — does it become so bad it’s laughable, and by that point, I just wanted to cry…

300 (review)

The first person who uses any aspect of this flick to justify the American debacle in Iraq is getting a swat across the nose with a copy of *My Pet Goat.* Which King Leonides of Sparta does not sit reading while his country is threatened and attacked.

King Kong (2005) (review)

Words like ‘meditation’ and ‘contemplation’ may seem inappropriate, at first glance, because the standard hack-movie-critic phrases like ‘roller-coaster ride’ followed by multiple exclamation points don’t even come close to doing justice to the heart-revving adrenaline rush Jackson has crafted. Two words: dino stampede. I probably should have put my head down between my knees and taken a series of long, deep breaths to recover from that early Skull Island setpiece, except it would have meant taking my eyes from the screen, and there was no way in hell I could have done that.

Antitrust (review)

There’s a lot of typing in Antitrust, and when there isn’t typing there’s a lot of running up and down stairs. It’s very soothing, in an altered-mental-state kind of way, like banging your head rhythmically against a wall.

Forrest Gump (review)

With Forrest Gump, the fable of the dimwitted but goodhearted Alabaman who was, in his own words, a ‘football star, war hero, national celebrity, and shrimp-boat captain,’ director Robert Zemeckis takes his work to a new level of maturity. His previous films are, for the most part, fun and highly entertaining, but Forrest Gump has an intricacy and depth that is more rewarding while still being enormously engaging.

Star Wars: The Phantom Menace: The Trailer (review)

Of the original trailer, I wrote, “It’s like coming home to a place I’ve never been.” Just the snippets of the film we’re shown in the new trailer make that feeling all the stronger. The organic reality of Lucas’s imaginary universe appears not to be diminished by the abundant use of CGI — the rolling hills of green grass, the city on the cliffs we see as the trailer opens look as real as the faces of the actors. Their faces already seem like those of old friends.