Oranges and Sunshine (review)

Hilarious true story. You’ll love this. In the 20th century, up until as late as 1970, thousands and thousands and thousands of British children were forcibly deported to Australia, where they were herded into group homes or other institutions, treated like slave labor, and subject to regular physical and sexual abuse on top of the emotional abuse of being ripped from their families, their homes, their country.

my week at the movies: ‘Ice Age: Dawn of the Dinosaurs,’ ‘Transformers: Revenge of the Fallen,’ ‘Bruno,’ ‘Public Enemies, ‘The Hurt Locker,’ ‘Cold Souls,’ more

If you follow me on Twitter or Facebook (or MySpace, but I may dump that soon), then you probably guessed that I attended one of the public sneak previews yesterday afternoon of Ice Age: Dawn of the Dinosaurs (opens in the U.S. and the U.K. on July 1), because you saw my post-screening quick-reaction tweet: … more…

trailer break: ‘Public Enemies’

Take a break from work: watch a trailer… Remember: It’s wrong — it’s totally wrong — to glamorize crime and criminals. That’s why John Dillinger, who was a bad man, a very bad man, is being played by ultrasexy Johnny Depp. So that no one gets the idea that criminals are sexy. Yes, this trailer … more…

Australia (review)

If director Baz Luhrmann had decided to shoot in black-and-white, you’d hardly be able to tell this wasn’t made around 1939 or so. Sure, all those gorgeous helicopter shots of the wild and dangerous and beautiful Outback would be a dead giveaway, so they’d have to go. But otherwise…

300 (review)

The first person who uses any aspect of this flick to justify the American debacle in Iraq is getting a swat across the nose with a copy of *My Pet Goat.* Which King Leonides of Sparta does not sit reading while his country is threatened and attacked.

The Lord of the Rings: The Return of the King (review)

The words I keep coming back to, the ones that seem to fit this most astonishing of films best, are ‘terrible’ and ‘awful.’ The old-fashioned senses of the words are what I’m talking about: Peter Jackson has given us a grandly eloquent film that inspires more terror and more awe than anything I’ve seen in a long time. I can compare my reaction to it only with the moviegoing experiences of my childhood, when the hugeness, the all-encompassing-ness of movies in all ways — emotionally, viscerally, visually, aurally — first astounded me, when ‘Night on Bald Mountain’ and Darth Vader’s stormtroopers horrified me to such a degree that I can still feel it.