
The Creator movie review: meat versus metal
Looks great, but the plot falls apart if you poke it and makes no attempt to grapple with AI’s potential. Instead it renders its robot people as a racialized Other in a clunky metaphor for bigotry.

Looks great, but the plot falls apart if you poke it and makes no attempt to grapple with AI’s potential. Instead it renders its robot people as a racialized Other in a clunky metaphor for bigotry.

2009’s District 9 is on Max in the US, Netflix in the UK…

A morally muddled mess that is convoluted in plot and appallingly simplistic in its themes. I am a sad geek today.

Neill Blomkamp cements his science-fiction credentials as a filmmaker with a genre vision the likes of which we haven’t seen since the socially conscious SF of the 1970s.
There’s a few bits that may have some bearing on Elysium…
Love of Blomkamp flips around a movie image that’s almost religiously iconic…
Let’s get our geek on for the coming year!
Is this just too optimistic a scenario for our anxious, paranoid times? Or is something else going on?
Do new remakes, reboots, sequels, and prequels indicate a suddenly love of SF in Hollywood?
After District 9, I will follow Neill Blomkamp anywhere…