
The Last Witch Hunter movie review: burn it at the stake
If this were Law & Order: Black Magic, which it almost seems like it wants to be, it’d be a helluva lot more interesting than it is.

If this were Law & Order: Black Magic, which it almost seems like it wants to be, it’d be a helluva lot more interesting than it is.

A disgusting tale that imagines its tiny side dish of commentary on toxic fandom and male entitlement makes up for it being a perfect example of such.

Builds up a good momentum of suspense only to throw it away on a rushed, unsatisfying ending, rendering all its preposterousness suddenly unforgivable.
Links my followers on Facebook, Twitter, and Google+ saw today…
I’m gonna go with Elijah Wood as Frodo Baggins in The Lord of the Rings. Wood doesn’t spring to mind when thinking about action heroes, and even within the context of the story, a homebody hobbit is the last person anyone expects to be an action hero.

The heightened emotions and outrageous urgency of rom-coms are actually appropriate here. All the absurdities that define the genre — not accidentally but deliberately — suddenly work in its favor.
From Max Landis, feauturing Elijah Wood, Simon Pegg, and Mandy Moore. Geek fun!
Watching a video like this only enhances my enjoyment of a film, because it makes me appreciate the effort that goes into creating a seamlessly authentic cinematic experience.
We know how it is: You’d like to go to the movies this weekend, but it’s all this settling back down into pre-autumnal routine has got you exhausted. But you can have a multiplex-like experience at home with a collection of the right DVDs. And when someone asks you on Monday, “Hey, did you check … more…
Imagine if Jules Verne wrote a movie for Pixar, if that steampunk visionary looked forward from his perch in the late Victorian age to a Great War in his near future that didn’t pause for twenty years to let everyone to catch their breath but instead went apocalyptic.