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new this week in U.S., Canadian, and U.K. theaters: ‘Inception,’ ‘The Sorcerer’s Apprentice,’ ‘The Concert’

U.S. AND CANADA/OPENING WIDE Inception: Leonardo DiCaprio will blow your mind… much as other thieves blow vaults. If you can’t make it to the multiplex, try: • Memento (2000): Christopher Nolan plays with the depths of the human mind and the limits to which narrative time can be stretched in both films. • Catch Me … more…

The Sorcerer’s Apprentice (review)

Lo and behold and WTF, here’s adorkable Jay Baruchel getting molested by dancing mops as the literal replication of a 70-year-old cartoon forces its way into a movie where it clashes tonally, interrupts the plot, and just plain makes no sense.

classical movies are music to cinema’s ears

No, not classic movies: classical movies. September is Classical Music Month, the origin of which probably ties in to the whole “back to school, back to seriousness” idea. Which is sort of silly, actually: just because classical music is has stood the test of time doesn’t mean it has to be solemn. In fact, for … more…

The Lord of the Rings: The Return of the King (review)

The words I keep coming back to, the ones that seem to fit this most astonishing of films best, are ‘terrible’ and ‘awful.’ The old-fashioned senses of the words are what I’m talking about: Peter Jackson has given us a grandly eloquent film that inspires more terror and more awe than anything I’ve seen in a long time. I can compare my reaction to it only with the moviegoing experiences of my childhood, when the hugeness, the all-encompassing-ness of movies in all ways — emotionally, viscerally, visually, aurally — first astounded me, when ‘Night on Bald Mountain’ and Darth Vader’s stormtroopers horrified me to such a degree that I can still feel it.

Fantasia (review)

I saw a rerelease of *Fantasia* in Radio City Music Hall when I was probably 6 or 7, and the ‘Night on Bald Mountain’ sequence scared the bejeezus out of me. It still does.