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I wrote recently about how the people behind Kick-Ass missed a golden opportunity to engage with fans of the film when they failed to do anything with the domain redmist.org, which features prominently in the film. Two more examples of the same mystifying failure cropped up over the past few days. Last Thursday’s installment of … more…
I’m sure many of us have fantasized about working someplace interesting and/or exciting — maybe even someplace completely fictional — that we’ve seen on television or in a movie. But did you ever put that imaginary job on your resume? One guy in England did (via the Mirror): Fantasist Greig Ferguson got a medic’s job … more…
Riotously awful and simultaneously vile, this orgy of sexualize violence with no point except to give itself something to jerk off to…
Danged if the flick don’t feel like the Coen Brothers, if it ain’t redolent with the wonderfully odd tang of farce and feeling that they invariably bring to, at least, their lighter films.
I’m wildly intrigued by *Public Enemies* even though I readily concede that character development is all but nonexistent, and that it leaves me more wanting to know who notorious bank robber John Dillinger was than I did before I went into the film.
opening wide Transformers: Revenge of the Fallen: We do not negotiate with Decepticons, okay? Let’s roll. My Sister’s Keeper: Have you heard? It’s very sad when people die of cancer. I had no idea. So glad someone told me. opening limited The Hurt Locker: Maybe we could send Jeremy Renner to disarm that bit of … more…
Damn if there ain’t enough street racing in this here street racing movie.
A superb contemporary example of cinema du serpent, wittily harkening back to its thematic progenitors, but it is a marvelous achievement in its own right, too…
Welcome to the Hollywood Action Movie, post September 11, wherein the hero is a jaded rogue with a videogame-honed trigger finger and his own conspiracy-theory Web site, and the villain is a jaded rogue driven mad by a lack of appreciation for a lifetime devoted to public service.
Steven Spielberg has never made a film like this one before, sharp and bright, lighthearted and witty, underplayed and — dare I say it? — hip.
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