Hotel Transylvania 2 movie review: check out and never return
The barrage of nonstop sitcom idiocy is nigh on unendurable. A father plotting against his daughter as touching and uplifting? Way worse.
Grown Ups
Pixels movie review: blue screen of death (please)
Adam Sandler imagines himself as the savior of the planet. And then it gets even more puffed up with arrogance and all manner of masturbatory fantasy.
Grown Ups 2 review: Adam Sandler’s Happy Funtime Circle Jerk
This is not a movie. This is nothing but Adam Sandler hanging out with his pals and congratulating himself on how awesome he finds himself to be.
no Lone Ranger review from me for a while yet
Or The Heat. Or White House Down. Or Grown Ups 2. This is because these films don’t open in the U.K. for weeks and weeks still.
Grown Ups 2 trailer: why why why why why why why why?
This gives me such pain that I cannot even take pleasure in seeing Adam Sandler pissed on by an enraged buck.
question of the day: If you were going to invent a new Oscar category à la the MTV Movie Awards, what would it be, and who or what would be the definitive example of a winner?
Perhaps the best thing about the MTV Movie Awards is its cheeky categories: Best Kiss, Best Fight, Best Villain. The Oscars could use a few fun categories to enliven its broadcast each year…
ugly weekend at the U.K. box office…
…as no film earns more than £1 million at the box office. This has apparently not happened in two years, since back in October 2008.
calling bullshit on: ‘Toy Story 3’s miraculous seven-day U.K. “opening weekend”
Jesus could make a couple of loaves of bread and a few fish feed a crowd. But only Hollywood can make a weekend last seven days. Recently I wrote a piece for Film.com about Wednesday openings for films, what the purpose of them is, and if they make sense. The context was: Why move Knight … more…
calling bullshit on: Owen Gleiberman at EW’s The Movie Critics…
…for deciding that two female action stars constitutes a “new normal”: It’s amusing to realize, in hindsight, that Luc Besson’s funky-violent French art-house thriller La Femme Nikita, in 1990, and its rote American remake, Point of No Return, in 1993, were still treating lady-killer heroines with kid gloves. At that point, seeing an actress like … more…
question of the day: If it’s okay to worry that ‘Inception’ is too smart, where is the worry about movies that are too stupid?
Inception has finally arrived, and now we’ll see if audiences feel the same way about it as critics do: reviews range from pretty good to rapturous, with only a few detractors (and not just Armond White, either!) But I’ve been noticing a particular tenor in the predictions of how audiences may react that I find … more…
