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Colorful but flattened and flimsy, which really grates next to how abundantly, uniquely original the first two movies are. Suffers greatly from the lack of their deft whimsy. It’s, well, bearly there.
Steady your heart palpitations: it’s the same old era for the nicest feudal hangover. The delusional reactionary fantasy of wealth and privilege for some, cheerful servitude for others remains intact.
Wherein the working class revels in servitude, and wealth and privilege are deserved. Deeply reactionary and unlikely to please anyone not already enamored of the show. I get Anglophilia, but really?
A romance and a real-life adventure, full of life-and-death peril and unexpected cheerful good humor, about a pioneer in disability rights and dignity.
Snappy, snappish historical drama about the partition of India rings with sly humor, dry cynicism, and a smack of relevance for today’s divisive politics.
The state of women onscreen these days is so bad that a neutral score of zero is actually a positive! [This post is not behind the paywall.]
Adorable. So witty and compassionate and bittersweet and just the right little bit of snarky that you will cry tears of joy from the perfection of it.
How about three men in uniform?
As jaunty as Jean Dujardin’s beret, but in a sincere, old-fashioned kind of way. It could almost have been rediscovered from the 1940s…
Very intimidating! Especially when you know that everyone on the other side of the barriers is thinking, Who the hell is that? Should I know who she is?
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