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Steady your heart palpitations: it’s the same old era for the nicest feudal hangover. The delusional reactionary fantasy of wealth and privilege for some, cheerful servitude for others remains intact.
The deliciously entertaining Emma Thompson and Mindy Kaling take center stage in a comedy about women in a male-dominated world. Laugh-until-you-cry and witheringly funny, often even keenly skewering.
Perverse. Completely perverse. And completely seductive. Do I love it, or is it evil? Is it a wrong thing if it’s both?
Breezy, witty, gently naughty. Hello, steampunk orgasm!
It takes an extraordinary film to turn the notion of woman-as-victim on its head… and an even more extraordinary film if it does posit as its central conceit that its protagonist has unquestionably been victimized.
Perhaps it’s a little bit of victory, in an odd way, that this too-earnest, underemotional drama so perfectly apes its protagonist in how it cannot quite connect with anyone outside itself.
We know how it is: You’d like to go to the movies this weekend, but Adam Sandler dying of some awful disease isn’t your idea of a good time. But you can have a multiplex-like experience at home with a collection of the right DVDs. And when someone asks you on Monday, “Hey, did you … more…
Get it? It is a truth universally acknowledged that men love with their dicks and women love with their brains. Everyone just knows this. I’m not sure if we should take this as an indication that the people involved in making this movie actually genuinely don’t understand that people are wildly individualistic and so figure … more…
While movies about people clever and engaged enough to enjoy reading for fun may, in theory, be desirable, movies about people *actually reading* are less than totally enthralling.
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