film criticism by maryann johanson | celebrating 25 years: 1997–2022
Spanks the 2016 film and sends it off to the corner to think about what it did. This one is the definite article: Gory, grim, bleakly funny. Full of feverish, anarchic energy and exhausting cynicism.
A stew of “hilarious” toxic masculinity and nonstop violence as the solution to all problems. Sexist, stupid nonsense, tediously familiar and wholly predictable. Even the cartoonish action falls flat.
We’ll be talking about Keira Knightley’s new film Colette; everything Idris Elba; Justin Hurwitz’s amazing score for First Man; and a lot more.
Bold, tough, hugely entertaining. Like a new GoodFellas, except about a woman caught up in her own impudence and daring. Jessica Chastain is badass.
Intense action; smart, funny nods to its roots while moving in a new direction; and explicit confrontation of a problem always at the heart of Star Trek.
A fake movie busted out into reality! But this not-even would-be jokey riff on Hollywood doesn’t know how to fill the air between car chases and punchups.
Goes right up to the bleeding edge of cinema to tell a story that is strapping yet simple, and hugely appealing. Disney found a good reason to redo an old film.
Marvelous. A bouncy comedy mystery adventure parable in a fantasy world meticulously and cleverly conceived and gorgeously realized. I adore this movie.
Leaves no doubt that its central supernatural event is 100% real, yet it makes absolutely no case for it whatsoever, and refuses to even engage with it.
Bit of a shame that a man who looms so large in the hearts and minds of so many has been packed neatly away into a film that is handsome, respectable, and just a tad stodgy.
