End of Watch (review)

David Ayer has pulled off an all-new LAPD cop action drama with a vibrancy so electric that the screen seems to sing from the film’s opening moments, and keeps ringing long after the film ends.

End of Watch (trailer)

I am very much looking forward to this, and fully expect it to be the same sort of brutal, depressing shit about rampant corruption and general awfulness that David Ayer always brings.

Source Code (review)

If you haven’t already seen 2009’s Moon, I beg you to do so before you see Source Code, which will put you off director Duncan Jones, which wouldn’t be fair to you, to Jones, or to Moon.

Love and Other Drugs (review)

Maybe the romantic comedy about a couple of sociopaths is where the Hollywood expression of the genre has been heading all along, since such films of recent vintage have been populated by unpleasant people doing unpleasant things in the hopes that we will be somehow charmed by them. Perhaps it was only a matter of time before pathological charm was deployed.

new this week in U.S., Canadian, and U.K. theaters: ‘Prince of Persia: The Sands of Time,’ ‘Sex and the City 2,’ ‘The Losers,’ ‘[REC] 2,’ more

U.S. AND CANADA/OPENING WIDE Prince of Persia: The Sands of Time: It’s tanking in the U.K., and now it gets a shot at tanking in North America. [trailer] review to come If you can’t make it to the multiplex, try: • Big Trouble in Little China (1986): In which Kurt Russell goes up against an … more…

you’re not helping: ‘Prince of Persia’ and ‘The Last Airbender’ not really whitewashes, Hollywood insists

The Los Angeles Times suddenly notices that two of Hollywood’s would-be blockbusters for Summer 2010 are full of white actors playing nonwhite characters: So when Disney studios announced plans for a live-action adaptation of Prince, Dar held out hope it would be a “serious story that would dispel a lot of stereotypes and misconceptions.” Then … more…