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I correctly guessed 12 out of the 23 categories, which is a little worse than how I did last year but better than the year before. So about par for the course for me.
Oppenheimer takes eight awards, Barbie four…
The Zone of Interest, Killers of the Flower Moon, and Barbie are the big winners.
Not only a portrait of the woman who made more than a thousand of the very first films, but a mystery detective story about how the achievements of a trailblazing woman were erased, and found again.
Amanda Seyfried and Lily James sing ABBA tunes; Jodie Foster patches up criminals; Lauren Greenfield investigates Western materialism; and more…
Does every wide release in North America this week feature a female protagonist or female ensemble? Wow.
Girls and women love movies just as much as boys and men do. But it’s a love that gets thrown back in our faces by 95 percent of films.
An audacious coming-of-age tale unique in the history of cinema; deeply moving and beautifully authentic.
Neill Blomkamp cements his science-fiction credentials as a filmmaker with a genre vision the likes of which we haven’t seen since the socially conscious SF of the 1970s.
Not that this won’t be a mark in his favor with the other studios.
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