new DVD releases in Region 2, May 25

green light (definitely check it out): The Reader: Kate Winslet likes books and teenaged boys. [Amazon U.K.] [now available at Amazon U.S.] Tokyo!: Think Tokyo je t’aime, but weirder. [Amazon U.K.] [preorder at Amazon U.S.] Pushing Daisies: Complete Season 2: How come England gets an American TV show on DVD before we do? No fair! … more…

movie posters in London (part 2)

More movie posters spotted around London these last ten days. (Part 1 is here.) Very different from the ads I’ve seen at home for Push, and also: did they make Dakota Fanning’s head freakishly large, or what: Not a movie, of course, but what the hell. I get the sense that this is part of … more…

my week at the movies: ‘Defiance,’ ‘The Curious Case of Benjamin Button,’ ‘The Reader,’ ‘Revolutionary Road,’ ‘Gran Torino’

No official “press” screenings for me this week — it’s all FYC screenings. That is, “for your consideration.” These are specialty screenings that the studios hold for members of critics’ organizations, AMPAS (the “Academy” that awards the Oscars), and other industry guilds who will be voting on their year-end acclaims in the early weeks of … more…

best performances of 2004: ready for their closeup…

BEST ACTOR Don Cheadle, Hotel Rwanda It’s a role that, in the hands of even another very competent actor, could have descended into pathos and sentimentality, but Cheadle’s performance goes way beyond mere competence: As an Oskar Schindler-type figure in Rwanda’s 1994 genocide, he approaches incomprehensible horrors in a way that makes us intimate partners … more…

Christmas Carol: The Movie (review)

The voice cast of this animated British kid flick is an Anglophile’s dream: Kate Winslet (Finding Neverland), Michael Gambon (Sky Captain and the World of Tomorrow), Juliet Stevenson (Being Julia), Rhys Ifans (Vanity Fair), Jane Horrocks (Chicken Run). Pity that not a one of them distinguishes him- or herself — the voice performances are so … more…

Titanic (again again) (review)

A film of immense power and eerie beauty, James Cameron’s Titanic could only have been made now, not because of its technical requirements but because the cultural attitudes of the era in which it is set have come full circle to concern us again today.