The Bad Batch movie review: a girl walks into dystopia alone
Filmmaker-to-watch Ana Lily Amirpour again shakes up a familiar genre — here, the postapocalyptic adventure — in unexpected ways, but stumbles a bit in the process.
Keanu Reeves
Exposed movie review: cover it up, burn it, bury it, never look at it again
To call it disjointed is an understatement: Exposed is unintelligible. It feels like two completely different movies inelegantly Frankensteined together.
Where Are the Women? John Wick
Badass lady assassin? Good. Dead wife to motivate the protagonist and decorative tits and asses to, er, motivate the audience? Less good. [This post is not behind the paywall.]
John Wick movie review: deadly dancing
Funky-elegant, weirdly funny, visually intoxicating. I love this movie so much for how it’s different about being more of the same old stuff we always love.
47 Ronin review: they’re not having much fun storming the castle
A handsome movie in many ways, but it feels like an unpolished first draft, one that can’t quite decide how fantastical it wants to be.
Amsterdam photo of the day: proof that Simon Pegg is a time-traveler
Alternate title: Simon Pegg likes it ruff.
47 Ronin trailer: I do loves me some Keanu…
The dialogue is hopelessly clichéd, but this looks kind of amazing…
a movie about a guy, two hookers, and a camcorder (Generation Um… trailer)
There’s no way this can go wrong, is there?
Darth Vader meets Batman, on the subway (and other adventures in social networking)
Links my followers on Facebook, Twitter, and Google+ saw today…
Side by Side (trailer)
Keanu Reeves talks to big-name directors about the shift to digital cinema. Because there weren’t enough reasons already to love Keanu.
