
The Lovebirds movie review: breaking up on the run
The hugely appealing Issa Rae and Kumail Nanjiani share terrific comic and romantic chemistry and work their everywoman and -man charm to the max. Go-to goofy escapism for, say, a pandemic lockdown.

The hugely appealing Issa Rae and Kumail Nanjiani share terrific comic and romantic chemistry and work their everywoman and -man charm to the max. Go-to goofy escapism for, say, a pandemic lockdown.

Performs a complete charmectomy on its usually hugely charismatic stars, leaves them to flounder about with a bizarrely inept script, and actually seems to be trolling us with its pseudo feminism.

The title is intentionally ironic, and yet still feels like a bad and desperately unfunny joke. The spectacular all-star cast holds their noses and gamely dives in anyway, for the sake of Judy Greer’s directorial debut.

I correctly guessed 15 out of the 24 categories, which is one of my better showings ever, I think.

A rom-com for people who hate rom-coms. A painfully funny movie, full of enrapturing emotion that captures the glorious contradictions of all kinds of love.

A sweetly silly trounce of the idea that overgrown frat boys are charming. Shakes up the subgenre in a way remarkably, if perhaps accidentally, feminist.