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(I don’t think that Logan, pictured here, is crammed with clichés, by the way, but that’s a great image of the visual cliché of the hero walking away from an explosion.)
A winning (if overearnest) depiction of manly friendship, with some pretty thrilling (if only technically so) racing stuff. But it doesn’t see its potential to be actually culturally significant.
Has a verve rare in big-budget movies at the moment. Fun and fresh and legitimately engages with its source material on the levels of story, visuals, and mythology all at once. It feels like discovering storytelling anew.
I correctly guessed 15 out of the 24 categories, which is one of my better showings ever, I think.
Get Out wins Best Film and Best Original Screenplay. Call Me by Your Name, Dunkirk, and Three Billboards also take two awards each.
Doubly dated, lacking in humor and subtext, its impressive cast deliberately underutilized, this is little more than an exercise in gorgeous production design.
This is ridiculous.
How the movie sausage gets made.
The X-Men series — the entire superhero genre — has never seen a film like Logan before: raw, rageful, tormented, human. Best of the series yet.
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