
Trap Street review (London Film Festival)
It’s never intense enough for the paranoid thriller it wants to be, but it has some chilling things to say about the dangers of the not-quite all-seeing eye of a total-surveillance society.

It’s never intense enough for the paranoid thriller it wants to be, but it has some chilling things to say about the dangers of the not-quite all-seeing eye of a total-surveillance society.

There’s no reason or logic in this found-footage yawner, and nothing rises to the level of even adolescent notions of sexy-scary.

A hugely ambitious film reminiscent of The Matrix and the works of Terry Gilliam while also carving out its own apocalyptic sci-fi space.

What it looked like from the other side of the barriers, at Saturday night’s London Film Festival gala screening of Half of a Yellow Sun.

Two hundred thirty-five feature films screened at London Film Festival 2013; I saw 59 of them. Because I am a madwoman.

Honestly. That’s Tom Hiddleston, arriving for the Cult Gala screening of Jim Jarmusch’s Only Lovers Left Alive.

The London Film Festival press screening of 12 Years a Slave drew the biggest crowd I’ve seen of the entire festival so far…

It’s always astonishing to me how people think they’re not gonna caught in their enormous lies.

Introducing the secret film tonight: Wong Kar Wai’s The Grandmaster.

Another day, another London Film Festival gala marquee at the Odeon Leicester Square.