
Trash movie review: you know, for kids?
This isn’t a children’s movie… and yet it kind of is, too, with its odd mishmash of social realism, action thrills, misplaced comedy, and simplistic drama.
This isn’t a children’s movie… and yet it kind of is, too, with its odd mishmash of social realism, action thrills, misplaced comedy, and simplistic drama.
The seemingly eternal U.S. presidential election is over. The road to 2016 begins now! Let’s distract ourselves with some fantasy politics…
The Amazing Spider-Man? That’s a stretch. More like the Halfhearted Spider-Man. The Just-Sorta-There Spider-Man. The Familiar Spider-Man…
An updated The Canterbury Tales for the 21st century, an on-the-road movie for our existentially confused times…
Oh my god and wonder of wonders, here we have a studio movie — a drama! — starring not one but two actors-of-color. God, what a terrible phrase. Don’t we all have a color? Okay: two actors who aren’t the usual medium peachy-beige of those who typically get to star in studio movies unless their name is Denzel Washington.
There are some serious gaps in my film education, I’m sorry to admit, but one of those gaps was recently filled when I saw *Apocalypse Now* for the first time.
And that realistic attitude is a big part of what makes Boiler Room so refreshing: Younger doesn’t offer any pat, happy endings, doesn’t have all his characters wrap things up by kissing and making nice. The film ends on such an abrupt note — and such a perfect one — that I gasped with unexpected delight.