new this week in U.S., Canadian, and U.K. theaters: ‘Get Him to the Greek,’ ‘Splice,’ ‘Death at a Funeral,’ ‘The Brothers Bloom,’ more

U.S. AND CANADA/OPENING WIDE Get Him to the Greek: Rock stars (ie, Russell Brand) are a mess, and the normal people who are their fans (ie, Jonah Hill) are only slightly less a mess. Such is the plight of humanity. If you can’t make it to the multiplex, try: • Forgetting Sarah Marshall (2008): Which … more…

Splice (review)

What if there were realms in which *woman* was not meant to meddle? It’s not as progressive as it sounds. But you knew that already.

Go (review)

So, Go’s three interconnected tales follow a diverse group of Los Angeles twentysomethings as their lives bang up against one another in a scenario that’s the 90s in a nutshell, from the Xer point of view: sex and danger that’s both exciting and terrifying (the clever script uses the word ‘go’ both in the imperative, let’s-get-out-of-here sense and also in the imperative, orgasmic sense, as a synonym for ‘come’). And is if to demonstrate typical Xer cynicism, it all happens while holly jolly Christmas passes by practically unnoticed in the background.

Last Night (review)

But if you knew when we as a species were going to buy the farm, how would you spend your final hours? That’s the question Canadian filmmaker Don McKellar asks in Last Night, which he wrote, directed, and stars in. Sort of the flip side of movies like Armageddon and Deep Impact, Last Night focuses not on the heroes trying to save the planet from certain doom but instead peeks in at how ordinary people are facing the end of the world.