question of the day: O Hollywood, where art thou?
Does Hollywood truly intend to be more creative, more original… or is this just a clever new marketing tactic?
Does Hollywood truly intend to be more creative, more original… or is this just a clever new marketing tactic?
The AWFJ is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
The OFCS is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
In a busy news year with lots of major stories impacting the world — from the BP spill to Wikileaks to Afghanistan officially becoming the longest war in American history — does Time’s choice make sense?
I can’t remember another weekend like this past one at the box office, which couldn’t be a clearer indication of the difference between how movies aimed at teenagers and very young adults play compared to how movies with more sophisticated appeal do. Look at this…
And: John Landis disses Inception; Foursquare in space; Benedict Cumberbatch is a monster; more…
Plus: Javier Bardem to star in Chilean mine movie; Matt Damon not to star in the next Bourne movie; Napoleon Dynamite and How to Train Your Dragon going to TV; lots more…
Plus, Avatar sex toys, Cory Doctorow on the real cost of free, how the rich buy journalists, and more.
The ambitions that Mark Zuckerberg had for Facebook — at least what we see of them in The Social Network — seem so small and sad and deeply ungrand next to the reality of how life on Facebook plays out a mere few years later in the profoundly poignant Catfish.
‘Left coast, right coast, and a smidge of Chicago only. The rest of the country could care less,’ says a studio exec about who came out to see the Fincher Facebook flick. Huh?