at the 20th anniversary of ‘Titanic,’ where are all the knockoffs?
We should be absolutely sick to death of all the cash-ins, pseudo-remakes and imitators. Where are they?
We should be absolutely sick to death of all the cash-ins, pseudo-remakes and imitators. Where are they?

Breezy, jokey, crammed with clever sci-fi ideas; the funniest MCU flick yet. Director Taika Waititi brings a new geeky verve we didn’t realize the series needed.

There is barely an original thought in this wackadoodle sci-fi panto, just a lot of tiresome passé attitudes skidding among bug-eyed-monster set dressing.

Edgar Wright used to send up cinematic clichés with gusto and with huge humor. Here he just embraces them — and his sullen, unengaging hero — unironically.

Derivative, rote, devoid of heart and hope. Guy Ritchie has found no reason to retell Arthur’s story, or to render a mythic hero as a self-serving thug.
Absolutely mad genius.

Thinks it’s edgy and transgressive, the punk little brother of all those other stodgy comic-book movies, but it isn’t. It’s just slightly more candy-colored.
If little boys cannot see themselves in the characters in Star Wars: Forces of Destiny, they’ll just die, or something.
You’re welcome.