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Grim, mysterious, and unsettling, never more so than when it is quiet and still. But a brutality lurks below its calm, slick surface. Oscar Isaac’s performance is a work of astonishing minimalism.
“[T]he denial of mythos is everywhere in our culture, and it can partially explain why so much of our approach to everything artistic, challenging, or mysterious seems reductive, dull, and unimaginative….”
Not fit to lick the boots of Martin Scorsese or Christopher Nolan, though the height of its ambition appears to be its desperation to do so. A movie as pathetically ineffectual as its protagonist.
I am not suggesting that we should ban or censor movies full of despair! I’m suggesting that these despairing movies are doing too good a job of reflecting our society, and it’s our society we should be concerned with, not the messengers who deliver this news.
Ah, it was the beginning of the subgenre of horror movies about demonic children that would enjoy a solid run in the 1960s and 70…
It suddenly occurred to me when I was writing about the trailer for Never Let Me Go the other day that I was surprised that we don’t see more movies like that one these days. See, 25 years ago, when I was 15, if someone had told me, “By the time you’re 40, geeks will … more…
It seems like everywhere I turned this week for movie news, it was all the same: So-and-so has signed on for a remake, a sequel, a prequel, a reboot, or a reimagining: Christopher Nolan is reinventing Superman… Martin Scorsese and Robert DeNiro are remaking Taxi Driver with Lars Von Trier… Wuthering Heights is getting the … more…
Forget all that nonsense about fending off evil spirits with Bibles and holy water and garlic or whatever. Automatic weapons is what you need.
If you’ve been reading my online writings for any length of time, you may already be aware that I’m a fan of the works of William Strauss and Neil Howe, who’ve proposed a generational theory of history and culture that involves a regular, pendulumlike shift in attitudes every 25 years or so — that is, … more…
‘I thought this was gonna be funny,’ says a character at one vital point in *Observe and Report,* ‘but it’s actually kinda sad.’ Bingo!
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