Alliance of Women Film Journalists 2010 EDA Award winners
Lots of love for The Social Network, Black Swan, and The Kids Are All Right…
Toy Story 3
Online Film Critics Society 2010 Awards winners
The winners of the 2010 Online Film Critics Society Awards have been announced… and there aren’t many surprises…
question of the day: What was the most underrated or underappreciated movie of 2010?
Mine must be Agora, which my fellow critics ignored and audiences never had a chance to find…
question of the day: What was the most unforgettable movie moment 2010?
Easy question… until you start to think about it…
Alliance of Women Film Journalists 2010 EDA Awards nominees
The AWFJ is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
Online Film Critics Society 2010 Award nominees
The OFCS is one of the critics’ groups I belong to; my input helped determine these nominees, and I will vote in the final balloting to narrow it down to the winners. I still have to watch a few of these nominees…
NBC is sooo regretting letting Conan go; new Wolverine movie is called ‘The Wolverine’; BBC continues to employ David Tennant and John Simm; more: leftover links
Plus: the shocking number of British actors who have not been in a Harry Potter movie; is Wikileaks’ Julian Assange being persecuted?; we don’t need no stinkin’ objectivity in journalism; and more.
‘Toy Story 3’ continues to tear up the British box office
As of this past weekend, *Toy Story 3* has earned almost £59 million in the U.K…
does ‘Toy Story 3’ speak more to British audiences than ‘Inception’ does?
It’s interesting to see how *Inception* and *Toy Story 3* are battling it out at the U.K. box office…
calling bullshit on: ‘Toy Story 3’s miraculous seven-day U.K. “opening weekend”
Jesus could make a couple of loaves of bread and a few fish feed a crowd. But only Hollywood can make a weekend last seven days. Recently I wrote a piece for Film.com about Wednesday openings for films, what the purpose of them is, and if they make sense. The context was: Why move Knight … more…
