A Perfect Enemy movie review: terminal rage
Ridiculous excuse for a thriller — obvious, preposterous, ultimately banal — piles on psychological absurdities as it builds from a maddening middle to an enraging crescendo of misogynist nonsense.
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Artemis Fowl movie review: falls foul of itself (#DisneyPlus)
A disaster of a kids’ fantasy caper; feels like it’s making up the plot as it goes. A mishmash of manufactured wonder: characters barely sketched, action seemingly setting up future DisneyWorld rides.
The House with a Clock in Its Walls movie review: good witches and not-so-good witches
Charming entry-level spookiness and nicely old-fashioned eeriness for budding fright fans. A disarmingly goofy Jack Black and a vamping-it-up Cate Blanchett meet in a comic middle that is perfectly pitched.
Bokeh movie review: blurry, lonely lives at the end of the world
A pretty blur of an apocalypse happens to pretty, blurry people in this dull SF drama. This end of the world brought to you by the Reykjavik Tourist Board.
CHiPs movie review: they promised chip would happen, and it did
Toilet humor, cars exploding for no reason, random naked boobies, and gay panic… although, weirdly, also lots of awkward, unerotic nearly naked Dax Shepard.
Jack Reacher: Never Go Back movie review: don’t go back for the sequel
Jack Reacher is back. And no one seems to know why. Low stakes, a rote plot, and undistinguished action add up to a pointless and unnecessary sequel.
Hangar 10 (aka The Rendlesham UFO Incident) movie review: where has all the sci-fi gone?
Found footage has come to be an excuse for storytellers to completely bypass drama, character development, and plot in an attempt to be “authentic.”
if exposure to violent media influences violence in real life, why isn’t Comic-Con a bloodbath?
The annual celebration of people with superpowers beating the crap outta one another seems to result in only a handful of petty crimes. Any ideas why?
London photo: entering the Thames Tunnel
Walking into the historic Thames Tunnel…
Metro Manila review: world cinema writ small
One of the most enrapturing experiences I had at the movies in 2013: fiercely, grandly humanist, and almost unbearably tragic.
