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Everything about this joyful, sincere origin story feels like a retort — a very welcome and much needed one — to traditional male-centered superhero stories.
Odious propagandistic attempt to enshrine Turkish denial of the Armenian genocide of World War I into cinematic history via a tepid and unconvincing romance.
A gorgeous, cracking adventure with a smart ring of authenticity, full of pulpy twists and perils, and with a sweetly naive but gruffly charming young hero.
A compassionate, distressing tale of a woman’s determination to find her own purpose, full of heartbreaking moments that pile up until they’re unbearable.
When director Crowe sticks to historical adventure, his film is tense and exciting. But it lacks a sense of magic that it needs to make it fully engaging.
One last image from “Blood Swept Lands and Seas of Red” by Paul Cummins at the Tower of London.
Today I returned to see the poppies installation at the Tower of London to discover that visitors have been leaving their own tributes.
(Click here for a larger version.)
A couple of last looks at the sea of ceramic poppies at the WWI memorial installation “Blood Swept Lands and Seas of Red” by artist Paul Cummins at the Tower of London, from my shift helping to “plant” them.
(Click here for a larger version.)
Those of us planting poppies at the WWI memorial installation “Blood Swept Lands and Seas of Red” by artist Paul Cummins became part of the tourist attraction that is the Tower of London.
During my shift at the WWI memorial installation “Blood Swept Lands and Seas of Red” by artist Paul Cummins at the Tower of London, we “planted” 5,000 ceramic poppies. Well, 5,000 minus a few.
A very few. This seems to me like a remarkably small number of breakages and unusables.
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