
movies by or about women opening US/Can Apr 17-19
Chrissy Metz stars in faith-based drama Breakthrough, directed by Roxann Dawson; more… [This post is for Patreon patrons only for the first month.]
Chrissy Metz stars in faith-based drama Breakthrough, directed by Roxann Dawson; more… [This post is for Patreon patrons only for the first month.]
Chloë Grace Moretz stars in thriller Greta; more… [This post is for Patreon patrons only for the first month.]
There’s a lot of hot-button stuff going on in this A-bomb spy drama — politics, sexism, scientific ethics — but it’s all surprisingly inert, given the literal fate-of-the-world stakes.
Post WWII upheaval is a cheap backdrop to beautiful people getting it on. Characters and situations are undeveloped, and there’s little genuine romance here, and too much laughable preposterousness.
No movies directed by women, written solely by women, or centering only women open in the US this weekend. Two tiny releases feature a mix of men and women… [This post is for Patreon patrons only for the first month.]
The plastic terror of The Polar Express melded with the kooky charm of Forrest Gump is a bad, sometimes outright icky, way to tell a tale of trauma and recovery, and does a disservice to Steve Carell’s sensitive performance.
The devastating cultural experience Spielberg’s masterpiece presented to us 25 years ago felt then like a piece of history. Today, from the bowels of 2018, it feels like a warning, a premonition, a harbinger.
This Nazis-with-supernatural-weapons horror schlock drags its feet getting to its fantastical elements and then does absolutely nothing interesting with them, just wallows in dull, rote gore and grue.
Suzi Yoonessi directs dramedy Unlovable; Nosipho Dumisa directs thriller Number 37; more…
Marguerite Duras’s semifictionalized memoir of psychological survival and emotional endurance in Paris during the Nazi occupation makes an uneasy, listless transition to the screen.