Kicking & Screaming and Monster-in-Law (review)

Just when you think the genre of the humiliation comedy can’t reach any new depths of repugnance and depravity, along comes Will Ferrell, the doofus king of self-debasement in the name of entertainment, to prove you wrong.

Unleashed and Crash (review)

With its clear and obvious choices — think Eddie Izzard’s ‘cake? or death?’ bit — *Unleashed* really is a fairy tale next to *Crash,* where half the time when you think you’ve got a grasp on what’s the ‘right’ thing to do and the ‘right’ way to live, you turn out to be wrong, even if the other guy is wrong, too.

Jiminy Glick in La La Wood (review)

Is the movie silly? Yup. Even maybe kinda dumb? You betcha. I laughed anyway — I admit it. I think maybe it’s cuz I’ve missed Martin Short all these long years since SCTV. Remember Ed Grimley? I loved him. His Nathan Therm on Saturday Night Live? (Of course I remember Nathan Therm? What makes you … more…

Enron: The Smartest Guys in the Room (review)

This is it right here, people: the ‘ownership society’ our so-called leaders think we ‘deserve,’ an unregulated, unpoliced Wild West of corporate hegemony. Fraud, greed, arrogance, powermongering? All part of the game, folks, all part of the game. It’s every man for himself, the way God intended, and God help you if you were so fucking stupid that you let yourself be born with anything less than a platinum spoon in your mouth and powerful connections out the wazoo. Cuz most of us are gonna end up serfs if this stuff continues.

Look at Me (review)

Hey, if you’re into whiny soap operas about self-obsessed people who never shut up complaining about how miserable they are, have at it. But if you get enough of that in real life or just don’t care to spend a couple hours with fake people who are that exasperating, no one would blame you for … more…

Double Dare (review)

In a male-dominated industry — filmmaking — there’s probably not a specialty more fueled by testosterone than stuntwork, and the women who choose this bruise- and discrimination-ridden path are exactly as tough as you’d expect. Two of them are profiled in Amanda Micheli’s festival-favorite documentary, which never lets its enormous love and respect for its … more…

Kingdom of Heaven (review)

Okay, baron, actually. Orlando Bloom plays a baron, a medieval French baron. But still. Yum. I’m sorry — I can’t help it. He’s *beautiful.* So, I’m shallow. I admit it. He’s *gorgeous,* and any hotblooded heterosexual woman who denies she’s going to see *Kingdom of Heaven* just because Orlando Bloom is in it is lying, I tell ya: lying. Or else she’s a medieval scholar and wants to see how Hollywood gets it all wrong. But even that woman is going to Not Care how wrong it might be when he strides across the screen all long and lanky and swings a sword and gets all angst-ridden for more reasons than a man should have to be angst-ridden and blinks those limpid eyes in masculine pain and talks with that mouth you just want to smush and make all the hurt go away…

House of Wax (review)

There’s a sexy figure on display throughout *House of Wax,* and we probably won’t see its like ever again. It’s the sign at a rural Florida gas station announcing that the price of gas is — *drool* — $1.19 a gallon. Oh, baby.

The Partridge Family: The Complete First Season (review)

Come on, get happy! Oh, the power to bewitch that is incarnate in that horribly catchy theme song is but part of the paranormal cunning of this singing family in flare pants. Watching these 25 episodes from the show’s debut season, which kicked off in September 1970, one becomes aware that The Partridge Family actually … more…

Jack and the Beanstalk (review)

Trippy! There’s a lot of cult love for this 1974 Japanese animated production of the classic fairy tale, and no wonder. It starts off pretty straightforward, sticking to the story we all know about the boy who sells his cow for a couple of magic beans and telling it through rather bland, simplistic animation. But … more…